Zinialand："It'slike a flowing stone in a stream, and the Museum of natural art is located inGuizhou, where the mountains are bright and the waters are beautiful, coveredby natural projections“ "The fourth wall" will disappear in thisclimb along the karst texture. Human beings will communicate with nature, andtheir perception and space will be integrated to "touch with ears, touchwith eyes, and listen with fingers".
Exhibits from a concrete entity into an abstract subject, a turn back, it will be sent out by the powerful charm hit.
The stage is placed in nature, allowing the viewer to immerse in it. There is no doubt that the best description of abstract space is created by the perception of the scene.
Infiltrationand convection are the most appropriate techniques, or the overlappingrelationship between depth and depth, or the crisscross frame scenery ofmulti-faceted lines. Every moment brings the natural art into the perceptualcategory of the viewer, communicating hardness and softness, dark green anddark blue.
Thenatural background color breaks through the frame, bumps into the hierarchicalgray space, and melts the sense of alienation step by step.
From thefirst floor to the second floor, from the courtyard to the gallery, immersed inthe dramatic turning point, the directional white wall will bring you into thisand that exhibit.
Theprojection of the earth is what the Museum of natural art pursues. From theremote forest to the long grass slope in front of us, "naturalfeeling" flows into the museum through the power of the earth and theingenious design.
The puregeometric language deduces in the field, the lines containing power areoccluded and overlapped with the nature, there are collisions and smooth, andthe natural art is introduced, displayed and reinterpreted in a pure way.
Thevarious forms of nature are projected onto the interface and exist with moredisplay surfaces. Wrapped, epiphytic, natural and free.
The glareof light is inseparable from the dim shadow, the dark gray space, and theinterior corner under the deep shadow. With some clever thinking, guidance,projection, and some contrast, we can catch the light;
thebreeze caressing, the creek murmuring, with the leaves whisperring.
Searchalong the direction of the sun, find a wall, mottled whirling even seize theshadow;
Lookingback at forest, you can see that it is on the paper. The continuous canvasunfolds, and the distance and height are different.
The sunis mottled with light and shadow. An environmental drama, the drama aestheticengraved into every moment.
Noblesimplicity and quiet grandeur. Out of exaggeration and coercion, the silentexpression makes the viewer free from the waves of emotion and desire, and isbound to the realm of tranquility and elegance.
Thecollision of deep and light colors, the overlapping of stone and glass, thewhite pool and metal, the natural quality become vivid through the reprocessing of materials, the cold materials also have texture and breath.
When thewind caresses the skin texture, when light shuttles between air molecules, whentrees and stones talk, painting and scenery coexist, all feelings need no morewords, quiet and joy, power and lightness blend, whispering, quietly tellingthe natural epic flowing for thousands of years.
"It'slike a flowing stone in a stream, and the Museum of natural art is located inGuizhou, where the mountains are bright and the waters are beautiful, coveredby natural projections“ "The fourth wall" will disappear in thisclimb along the karst texture. Human beings will communicate with nature, andtheir perception and space will be integrated to "touch with ears, touchwith eyes, and listen with fingers".